Reviews
YUNGBLUD Owns the Stage at Sidney Myer Music Bowl on IDOLS Tour
Published
2 months agoon
By
Olivia Burns
On the 13th of January, YUNGBLUD took over Melbourne’s Sidney Myer Music Bowl as part of his IDOLS World Tour. This was the second stop on his tour run in Australia, performing in Sydney the night before, with Adelaide, two shows in Brisbane and one show in Perth to follow. After seeing clips from Sydney, I’m sure it’s safe to say Melbourne was ready for our turn! Concert-goers of all ages made up a seemingly never ending line down the tan paths from the venue gates, in passing I overheard two 13 year old girls saying this was their first concert, what an intro to live music.
Tasked with the massive job of opening up the night was Brisbane’s own Dune Rats. Although people didn’t seem to know too much of their music, they kept the audience engaged with their stage presence and seemed to have won them over as they covered The Angels’ Am I Ever Gonna See Your Face Again which had the crowd passionately screaming the lyrics back at them, a perfect way to get everyone warmed up.
As Black Sabbath‘s War Pigs played out on the speakers, the seated rows got to their feet in unison, awaiting the show to commence. The stage was now equipped with band members and an ensemble of string players, at this point the venue was already in a state of euphoric screaming. We then caught a glimpse of YUNGBLUD making his way through the lights and smoke, dressed in a vest and sunglasses and tight leather pants and that tension only escalated as the fans grew louder and he kicked off the night with the nine minute anthem Hello Heaven, Hello. It was a fitting start, opening the show just as it does the album. He strutted back and forth across the stage, pouring a drink over himself. When the mic slipped from his hands, he carried on, it barely mattered, and this kind of chaos is what really makes a YUNGBLUD show. It took all of one song for the vest to come off and the crowd went wild for it as he played into the second track The Funeral.
YUNGBLUD‘s superpowers is his unwavering energy, no matter what, from start to finish, he is always at 110% capacity, and along with that his connection to his fans, and bringing them along for the ride, ensuring that they’re meeting him with the exact same intensity throughout the whole show. He took a moment to reminisce on the fact he played to 50 people his first time here, and now there were 12,000 people in front of him and often during the set he stood taking in the massive growth he has had since then with disbelief.
With a few nods to past work, the setlist really celebrated his latest release, IDOLS. With this album, it is clear he has tightened his craft, both lyrically and vocally, which translated seamlessly to his live performance. Throughout the night, he maintained a great balance of running through the setlist, whilst creating space for interactions with his fans. He worked the crowd encouraging participation by getting people on shoulders or standing on chairs. During a segment in his show, he called out everyone to stick out their tongues, singling out a guy that looked too serious and then a woman to stick out her tongue, quickly following it up with “Not your tits, your tongue!!” which had everyone cracking up. He is the epitome of a rock star, not only with his incredible vocals, but also backed up by the way he really owns the stage with such confidence, along with his cheeky nature which draws you in even more.
“Melbourne, you’ve been getting me in trouble” he joked during a break in songs, referring to a TMZ article as he was caught by paparazzi partying nude on a boat in Sydney a few days earlier. He then proceeded to cover himself, making fun of the situation as the audience laughed along with him.
During the second half of his track fleabag, he disappeared off stage. Anticipation grew as everyone looked around trying to guess where he would pop out. Screams led our eyes to the rocker standing on top of the sound shed, propped up by security guards as he sang the rest of the song. The lucky fans surrounding him got more than they bargained for, never imagining they would be able to get that close to him. After exclaiming how much he loved Australia and chanting “Aussie Aussie Aussie” with the crowd, he made his way down the steps towards the stage, greeting fans as he passed.
Phone lights lit up the venue as we joined him in a powerful tribute to Ozzy with Changes by Black Sabbath. Once the song had finished, we sat in the emotion for a moment, before he effortlessly brought the mood back up with his song Fire, as he swung his mic around by the cord and danced his way across the stage. He ended the night on one of my personal favourites and one of his bigger hits Zombie, which had the fans singing along even louder than I thought possible.
He gave a heartfelt thanks to everyone, and sent the fans wild when quickly slipping in a tease of his festival Bludfest making its way to Australia. As he disappeared off stage, we all turned to get ready to leave, and he yet again ran back on, saying in 30mins he will be meeting everyone by the pond before slipping away again. Not only does he give everything to his fans on stage, he also then dedicates time to meeting them after really just showcasing how much his fans mean to him, setting him apart from other artists of his calibre.
The current online debate is whether he really is the next generation’s Black Sabbath, AC/DC etc, and to that I have to say; being in the vicinity of him, watching him deliver an incredible performance with such an authentic rockstar energy, it really made you feel as though you were witnessing an artist who is on the path to being one of the greats. With promises of always returning to Australia every 18 months, we have no doubt about his love for this country and his fans and the feeling is mutual. We are ready to get him in trouble any time!
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Whistle might go down as one of the years best horror films that got a wide release, with almost no push for the film ahead of time, that no one saw.
Our story follows a group of high school students who after blowing into and hearing an Aztec death whistle are killed off one by one. We have Chrys, the new girl in a small town, who finds the whistle in her locker and after hanging out with her cousin and his friends get dragged into this situation.
Sure, the plot holes start early. This small town moved on from the previous owner of her locker, who died violently in school, so quickly that they never bothered to empty his locker where the whistle was. Its also somewhat easy to look past because the premise itself here works so well. We get a Final Destination esque film here where everyone within ear shot of the whistle has death chasing them where they die in the fashion and age that was set for them from birth. This leads to some incredibly graphic and rather cool kills here where we get a solid mix of practical effects and CGI.
Our cast of high school characters are paper thin and don’t keep us rooting for them enough to really care though if they die. They set themselves apart enough though to be memorable, even if their inclusion makes no sense. Our religious nut who is also a drug dealer, main character with a troubled past who is also into the popular girl, and the guy who gets friend zoned.
Really on paper, and even writing this, so much of this film doesn’t have much going for it yet it works. Its a fun, simple, and incredibly mindless horror film that gets by with a unique enough premise to it where it can have some fun.
Score :
3.5 / 5
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Professional Wrestling Reviews
Wrestling Review : AEW Dynamite – 03.18.2026
Published
5 days agoon
March 20, 2026
AEW
Dynamite
March 18th, 2026
Singles Match
Will Ospreay vs. Blake Christian
Good opening match and let Will show that back from injury he isn’t slowing down. Blake got more offense than one might imagine but he came off this looking great.
3.5 / 5
Tag Team Match
Bang Bang Gang (Ace Austin & Juice Robinson) (w/Austin Gunn) vs. Death Riders (Jon Moxley & Wheeler Yuta)
This was fine. Mox is back as a heel it seems which is confusing. Ace seems to have lost all allure he had in TNA and Juice is always enjoyable to watch.
2 / 5
Coffin Match
Gabe Kidd vs. Darby Allin
Opening this with a cinematic car crash was certainly a wild idea. This as a match wasn’t good but as a spectacle was fine. Kidd was in a straightjacket most of the match and still pulled off some impressive moves. Allin has his eyes set on MJF. I assume this feud will continue on also though.
2.75 / 5
Singles Match
Mark Davis vs. Mike Bailey
These two guys came out to tear the house down. Big monster vs small agile man type match. Bailey continues to just be so impressive as does Davis who is shining as a solo guy right now.
4 / 5
No Holds Barred Match
Marina Shafir vs. Mina Shirakawa
Last minute change saw Mina get added instead of Toni. Mini isn’t typical in these matches as commentary pointed out and took a nasty spot where she completely missed the table and went head first to the outside. Otherwise this was just a typical hardcore match and nothing too special.
2.5 / 5
Six Man Tag Team Match
Jack Perry & The Young Bucks (Matt Jackson & Nick Jackson) vs. The Don Callis Family (Kazuchika Okada, Rocky Romero & Trent Beretta)
This was fun and pretty much exactly what you think it would be. Felt like Okada was just sort of there. Trent and Rocky are fun to watch and you know they can go and will eat the loss.
3.5 / 5
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After the tragic passing in December 2023 of drummer Cayle Sain put a stop on the rise of Mizery the band is back using pre production demos Cayle had to help put out the bands self titled EP, their first new music release in nearly a decade.
Sadly though the crossover thrash / hardcore sound I was expecting was only half present. The EP itself feels like a collection of sounds the band was going to experiment with at various times. ‘Renegade Rhythm’ wears its Body Count / Rage Against The Machine influence on its sleeves while ‘The Weapon Pt. II’ is that crossover sound fans will want to pit for. ‘The Weapon Pt. 1’ is a quick instrumental bit that on an already short EP only continues to throw off the pacing here it felt.
Ending with ‘Eulogy’ (ft. Sammy Ciaramitaro of Drain) sees the band end on a rap rock note mixed with Deftones type sound. The sound feels like it goes through several different genres and would have been a major hit in the nu metal era.
Mizery’s self-titled EP feels like it wants to hit hard, but never quite lands the punch. There are flashes of potential here—with songs not being bad but also not really hitting the way I wanted—but they’re buried under an EP that I feel like never is able to find its own identity. It is great though that not only is the band back but they were able to honor Sain by putting out a record that had his influence and playing on it.
Score :
2.5 / 5
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The horror world taking any property they can touch and giving it the horror spin is now starting to wear thing. The Poohniverse was dumb fun, Popeye got at least one watchable film, but Wizard Of Oz : Dead Walk proves that the low budget run of these films is hitting its threshold.
We follow Dorothy who is a recovering drug addict who has been placed by her Aunt Em inside the Emerald Rehabilitation Clinic. She has constant nightmares of that she is in another land with a yellow brick road and creatures plague it. Soon though the Tin Man and Scarecrow from her nightmares are now in the real world though who are not friendly, but are killers who collect hearts and brains.
This is the first of four Oz related horror films releasing in 2026 and this one shows its low budget openly. The writing and acting is atrocious with the effects and costumes being even worse. Our Tin Man has wrinkled clothes and a bendy cheap weapon out of a Halloween store.
While the concept here could work with a budget, all the film has against it just weighs it down here. We get slogged through bad writing and acting to the point where the bad kills don’t help get past the fact that the film itself is painfully boring.
Score :
.5 / 5
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Professional Wrestling Reviews
Wrestling Review : WWE Elimination Chamber (2026)
Published
2 weeks agoon
March 13, 2026
WWE
Elimination Chamber
United Center
Chicago, IL
Feb. 28th, 2026
WWE Women’s Title #1 Contendership Elimination Chamber Match
Asuka vs. Alexa Bliss vs. Rhea Ripley vs. Raquel Rodriguez vs. Tiffany Stratton vs. Kiana James
This was a good womens chamber match. They used the chamber well and everyone got a chance to shine especially someone newer like Kiana. Rodriguez continues to show promise and Rhea winning is no shock as she will be the face of the womens division for years to come. Though a Rhea vs Jade Wrestlemania match sounds awful given Jades track record.
3.5 / 5
WWE Women’s Intercontinental Title Match
Becky Lynch (c) vs. AJ Lee
Becky really had to carry this and even at 12 minutes it felt super rushed. The thought behind bringing AJ back in mid 2025 then doing nothing with her only to have a ring rusted AJ Lee have her first singles match in a decade in Chicago makes no sense. It certainly hurt the match quite a lot.
Score :
1.5 / 5
WWE World Heavyweight Title Match
CM Punk (c) vs. Finn Balor
At no point did anyone believe Finn would win the belt from Punk in his hometown at his home arena. Still this was a good match with Finn carrying it in moments. The man is on a multi year streak of pretty much having good matches but still being so underused.
3 / 5
Undisputed WWE Title #1 Contendership Elimination Chamber Match
Randy Orton vs. Cody Rhodes vs. LA Knight vs. Trick Williams vs. Logan Paul (w/Austin Theory & Paul Heyman) vs. Je’Von Evans
What a poor main event. I hate that we don’t always use the Chamber as a weapon or add on to where here it just felt like confinement without the danger. Orton is a safe win as hes ol reliable.
2 / 5
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Photo Galleries
Max Styler Live at Radius Chicago: A Night of House Music Vibes
Published
2 weeks agoon
March 10, 2026By
Kyle Muha
Max Styler took the stage on March 7th at Radius Chicago. It was fitting for the birthplace of house music to welcome an artist like Max to town, delivering an open-to-close set and blessing the audience with a consistent rhythm throughout the entire night. As the evening kicked off, fans flooded into the venue one after another. The night began with a loose, laid-back tone—perfect energy to tease what was still to come.
About every 30 minutes into the show, you could feel the energy building—not just from the crowd, but from the music itself. As the night progressed, the bass seemed to hit harder and harder. Before long, the sea of people that had formed on the dance floor was moving in unison, dancing to the pulse of the music.
As the sound intensified, so did the production. Radius really showcased all the bells and whistles during the peak moments of the show, with smoke machines, lighting, and lasers fully in effect.
When the first wave of lasers lit up the room, a roar erupted from the crowd, and from that moment on the expectations for the night were clearly met. Max’s music selection and flawless weaving from one track to the next kept the momentum going from start to finish. Fans looking for a classic night of house music were treated to an exceptional experience—one that many will likely be romanticizing for a long time.























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